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Every day 1000's of people compare musical instrument prices at One of the most popular requests we get here at Instrumania is to compare Line 6 Relay G30 prices. Despite being a year old now, this wireless guitar system is still proving a huge hit with musicians...Let us remind ourselves why...


Wireless guitar systems have come a long way; a hell of a long way! Traditional analogue wireless systems were flakey at best, and at worst, pretty abysmal. In terms of reliability they were probably equivalent to the British weather, although at the moment we really can’t complain too much about that. As the years have gone by analogue technology has been superseded by the digital age, bringing with it a whole new breed of wireless guitar systems.


The beauty of a wireless system is the added movement it allows you on stage. If you prefer to get up close and personal with your adoring fans then this is the perfect opportunity. However, traditionally this freedom of movement does come at the cost of sound quality. The digital technology used in the Line 6 Relay G30 eradicates this issue, with a whole array of features designed specifically to fine tune your tone. Digital technology ensures the sound you hear is the sound the guitar makes. It sounds simple, but by cutting out all interference the guitarist is left with an instrument that provides a sharp, precise tone.


If you are determined to experience the freedom of going wireless, digital really is the best way to go. Traditional analogue systems can prove to be more trouble than they are worth, with future FCC rulings likely to shift devices around in the analogue realm and cause interference with various other devices. With the Line 6 Relay G30 no such problems exist, as the digital channel lock technology that comes with the product allows you to make an unshakable connection between receiver and transmitter.


Another string to the digital wireless guitar system’s bow is just how compact and easy it is to use. Simply place it next to your guitar pedals and away you go. All the controls you need are easy to access and you can switch between them quickly with the mere touch of a button. The product is also durable, which is important given the bumps and scrapes it is likely to experience whilst you are on the road travelling up and down to gigs.


If you’re the sort of musician who likes a good strut whilst blasting out your crowd pleasers, the Line 6 Relay G30 digital wireless guitar system could be the perfect bit of kit for you. And you can buy it online for a great price here at Instrumania. Instrumania allows you to compare the prices of thousands of musical instruments and accessories. You can compare guitar prices, compare keyboard prices, compare drumkit prices and even compare DJ equipment and studio gear prices. In fact, at Instrumania you can compare the price of nearly everything the professional musician could ever want.




Roland's V-Guitar system may have offended some of the guitar purists but there is no denying that it expands acoustic possibilities well beyond what is possible with a traditional guitar and amp setup. The GR-D V-Guitar distortion brings this increased level of control to one the most famous guitar pedal effects of them all.


Putting aside the cynics who believe that "they don't build them like they used to", the sheer cost of getting involved with Rolands V-guitar setup may be enough to put many off. Aside from the cost of the physical unit, V-Guitar requires the use of a guitar equipped with a divided pickup, such as Roland's GK-3, and its 13-pin connection (not cheap in itself).


Luckily, these issues, that may have been a deciding factor to many possible V-guitar users, are laid to rest with the 'Distortion thanks to itself self-contained design (built into a rugged Boss pedal no-less). 


It has a divided-pickup guitar input, but also has a pair of standard jack inputs, plus outputs to connect to an amp or pedals. If you're using a standard guitar, you simply connect it to the L (mono) input and use the jack outputs for either stereo or mono operation. Roland does point out, though, that you won't be able to enjoy the full potential of the GRs using a conventional guitar, since the signal from each string can't be processed individually.


If you are using a GK pickup, there's also a Guitar Out socket, so you can send the normal clean pickup signals of the GK-compatible guitar to another device - perhaps an effects unit, the output of which can then be connected to the GR pedal's jack inputs in a send/ return scenario, if desired.


The pedal features four different sounds that you can select and tweak manually. Besides this manual mode, you also get four user memories that store and recall any sound you create, regardless of how the knobs are physically set. These are cycled with a single button or accessed by the patch up and down buttons if you're using the pedal with a GK pickup.


The GR-D offers four effects types: VG Distortion 1, VG Distortion 2, Poly Distortion and Synth. There are gain, Color and tone knobs, the functions of which change depending on the selected effect. For the distortion effects, the gain and tone knobs offer what you'd expect - adjusting the amount of distortion and brightening the sound respectively - but for the Synth sound their functions adjust the synth waveform and the synth's filter cut-off frequency. The Color knob does something different for each effect, and the right-hand footswitch offers a useful boost to the sound for soloing.


With a conventional guitar, you get four different distortion effects, covering a wide range of sounds that go beyond the 'overdriven amp' style. It's obvious this isn't a conventional distortion pedal - noise is absent when not playing, even with loads of gain, and there's a nice individual string clarity.


Using a divided pickup with its 'humbucker for each string' configuration and plugging in via the 13-pin connection with a Roland GK-3-equipped Yamaha Pacifica, though, it's clear the pedal is optimised for this type of operation.


String clarity is more pronounced, with separate distortion processing for each string eliminating the atonal harmonic artefacts of mono distortion - this is most apparent in the case of Poly Distortion, which is derived from the polyphonic distortion in Roland's early guitar synths, and designed to deliver distortion while letting chords ring and resonate.





VG Distortion 2 has an octaver effect that you don't hear with a conventional pickup, but the most acute sonic difference between using conventional and divided pickups comes when selecting the Synth sound.


This sounds like a proper analogue synth, complete with filter squelch, and raises the pitch an octave with the solo switch engaged. With a normal guitar, it sounds like a weird fuzzy distortion, with the solo switch simply making it louder. Overall, you get four different, focused sounds using the divided pickup, but your usual guitar will still give you a useful range of unusual distortion voices.


We do like the idea that Roland has equipped this pedal to make some part of its VG and GR sounds available to anyone playing a regular guitar. However, that is not the primary focus here - while this pedal can certainly add something a little different to your tonal palette and still fit into your basic pedal setup, their full sonic potential is not realised in this way.


What's more, it's a lot pricier than conventional stompboxes, and although that probably reflects the fact that it's filled with more expensive electronic gubbins than most, you'd have to have a good listen and think very hard about adding it to your 'board.


With a divided pickup though, buying this pedal makes much more sense. This pedal really does respond differently and provide a deeper, more stunning range of effects if you're using a GK pickup.


Not only will you will get optimum use out of it in that scenario but it offers an ideal opportunity to buy into the V-Guitar world for a lot less than shelling out for a VG-99. It could be a worthwhile buy if you already have a guitar fitted with a GK pickup or are thinking of adding one to your guitar and dipping your toe in the VG/GR water.


If you fancy getting your hands on the Roland GR-D V-Guitar or perhaps a whole V-guitar system then you will always be able to find the cheapest prices on  your musical instruments at is the UK and Europes No.1 musical instrument price comparison site that allows you to source guitars, keyboards, drumkits and accessories (as well as a wide range of professional DJ and studio gear) at the lowest UK prices. At you can compare guitar prices, compare keyboard prices, compare amp prices and compare drum prices all in one place. is the leading musical instrument price comparison site.




One of the biggest names in electric guitars, Gibson, have announced a limited edition Les Paul Black Beauty to commemorate two decades of their Historic Reissues series. Compare Gibson Les Paul 20th Anniversary Black Beauty 1957 guitar prices at


As one of the most lusted after Les Pauls, the Black Beauty is something of an institution in it's own right, and now you can own a '57 spec Custom with all the attendance golden trimmings. Aside from being highly desirable guitars, these 20th Anniversary Customs are of note as they'll be of a limited run of 100 being built only in 2013, and they're the first Gibson guitars to feature one-piece ebony fingerboards since 2011, and according to the company are "likely to be one of the very last" models to do so.


So dig deep, Les Paul lovers - a 20th Anniversary 1957 Les Paul Custom Black Beauty can be yours for somewhere in the region of £6,200 (I think I'll have two!) To kick off a very limited edition series of three guitars that celebrate the 20th Anniversary of the Historic Reissues series, Gibson Custom presents the 20th Anniversary 1957 Les Paul Black Beauty—often considered the epitome of the "Black Beauty," and the first of the elegant Customs to carry the new PAF humbucking pickups.


In addition to being both a stunning, period-correct recreation of the '57 Les Paul Custom and a collectable Anniversary model, this 1957 Black Beauty marks two very significant milestones. First, it is the inaugural guitar in a series that will be offered only in 2013. Limited to 100 pieces of each model, each in the series is unique and extremely rare. Second, this guitar is the first run of instruments to be made with one-piece ebony fingerboards since November of 2011, and is likely to be one of the very last.






With its antique ebony finish, gold-plated hardware, and classic Black Beauty appointments—including multi-ply body and headstock binding, pearl block fingerboard inlays and split-diamond headstock inlay—the 20th Anniversary 1957 Les Paul Black Beauty is a gorgeous instrument by any standards. Add to that its 20th Anniversary medallion, which covers the toggle switch access on the guitar's back; a custom fitted dust cover with a retro 1993 Gibson Custom logo; and a one-of-a-kind, hand-made framed Certificate of Authenticity, and you have a unique and memorable instrument worthy of this milestone in Gibson history. Also, to help ensure that the exclusive 100 owners of this special guitar can keep it in "like new" condition for years to come, we even include a pair of white gloves.


But don't be afraid to rock out, either. The 20th Anniversary 1957 Les Paul Black Beauty is primed for tone just as much as it is for looks, with a pair of Alnico III-loaded Custom Buckers, a solid, one-piece mahogany body, a quarter-sawn mahogany neck with rounded '50s profile, and Gibson's acclaimed hardware set, including period-correct "waffle back" tuners. Furthermore, this limited edition Black Beauty benefits from Gibson Custom's 20th Anniversary Specifications, adopted for 2013, so the guitar's deep-set neck tenon is attached with genuine hot-hide glue, and it carries a Historic Truss Rod assembly with no tubing. Contact your authorized Gibson Custom dealer today to get your hands on a true piece of Gibson history.


In keeping with the original '57 Les Paul Custom, the 20th Anniversary 1957 Les Paul Black Beauty has a one-piece body of solid mahogany with a carved top, finished in Antique Ebony in nitrocellulose lacquer. It's quarter-sawn mahogany neck is carved to a full, rounded '50s profile and is topped with a genuine, one-piece ebony fingerboard with pearl block inlays and 22 medium-jumbo frets. Its Custom-profile headstock is trimmed in multi-ply binding and carries a mother-of-pearl split-diamond inlay.






The 20th Anniversary 1957 Les Paul Black Beauty carries Custom Buckers with gold-plated covers. Designed specifically for this limited edition guitar, these pickups are made with genuine Alnico III magnets and coils wound with unequal turns of 42 AWG wire for that characteristic PAF depth and bite, with a slightly overwound bridge pickup for added punch in the lead position. Its traditional control complement includes two independent volume and tone controls, with "Bumble Bee" tone caps on the latter, and a three-way toggle switch.


The gold-plated ABR-1 Tune-o-matic bridge and lightweight stopbar tailpiece partner with a set of authentic gold "waffle back" tuners. A black multi-ply pickguard, black top-hat knobs, and engraved "Les Paul Custom"truss-rod cover complete the authentic look.


In addition to its Custom Shop case, owner's manual, and adjustment literature, each 20th Anniversary 1957 Les Paul Black Beauty comes with a framed, handmade, one-of-a-kind Custom Shop 20th Anniversary Limited Edition Certificate of Authenticity, along with a custom-fitted dust cover with retro 1993 Custom Shop logo, a pair of white gloves, and a stamped brass "20th Anniversary" toggle switch cavity cover (with a spare standard plastic cover in the case).

At we allow you to compare Gibson guitar prices from dozens of guitar shops to allow you to find the cheapest price on electric guitars. Compare thousands of musical instruments and make sure you buy guitars, drums, keyboards, DJ and studio equipment at the lowest prices by using



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